Set up.

What began as part of another story has taken on a life of its own. I can’t believe it’s happened again.

There are few things I love more than a good collection. Gathering, sorting and arranging a related set of objects together is one of life’s great pleasures. Be it general collections, like books and CDs, or more specific ones, like Boba Fett action figures (currently 21), different editions of my favourite novel, Catch-22 (18), or alternate versions of Duke Ellington’s jazz standard, Caravan (40), I find the urge to collect compulsive.

And it isn’t just things of value that I find it satisfying to draw together; any old crap will do: expired Metlink tickets, old bank statements, and even empty toilet roll tubes. Which leads me to wonder if perhaps the collecting is more important than the collection? Because I can think of no other way to explain the appeal of collecting cardboard cylinders. You know when you finish a roll, and instead of throwing it away, you place it on a shelf or on the window sill? First one, then two, and before you know it there’s a teetering tower of toilet rolls blocking out the light. All it takes are two tubes sitting there for me to catch the vision. Two tubes to make me look forward to the end of the next roll so that my tower can grow…

Oh dear. That’s unfortunate. And, I guess, revealing? Who would have known there’d be some sort of phallic resonance behind my compulsion; some instinctive need to build something larger than myself, to create a sense of significance through the construction of a… what do psychologists call it, an extension of myself?

Well, whatever, let’s not dwell on it.

No, let’s get back to the simple pleasure of gathering a collection. And the most satisfying sort of collection is the set: a collection with a starting point, an end point and a bunch of boxes to tick off in between. The set allows for the greatest sense of satisfaction because you know when you’re done and when you can rest; when you can ease your chair back onto its hind legs, and gaze with satisfaction on the completeness of what you’ve brought to be.

The only thing I dislike in a set is inconsistency; when common or repeating elements don’t match up. Titles change size or position, the logos move around and don’t line up, or, ye gods, the style changes altogether! I love variation, but variation within a theme.


Somewhat like a family of superheroes, where each member has their own distinct character and attributes, while still belonging to a larger, unified whole. Or a jazz performance where each player’s solo is a unique take on the same signature tune. I enjoy seeing how a style adapts and flows across a series (of books, CDs, DVDs or whatever), be it through colour, typeface, style of imagery, or the like. I like to see that the designer has thought ahead and considered the possibilities, and hasn’t just treated each new item as an all but blank canvas. Not that the designer’s always responsible, of course, as many inconsistencies result from bumps along the road of production, and most such issues are more niggles than throat-stompers. The real problem comes when the bean-counters get too involved, as bean-counters care only for their beans...


First up, there was Harry Potter. Disbelieve me if you will, but my choosing the adult covers (or ‘senior reader’ covers, if you prefer) over the original kiddie covers, had nothing to do with shame or embarrassment. It was simply that the kiddie covers were so absolutely awful, and I had the option to choose. Actually, the adult ones aren’t great either, but they’re restrained and don’t look like they’ve been drawn by a colour-blind hedgehog in a bag (to nick a favourite Blackadder expression). So I bought in, and guess what? When the fifth book of seven was released the publishers dumped the existing adult style and re-released the entire series in a completely different one. What’s an anal perfectionist to do? There’s no way I’m having four spines on my bookshelf in one style and three in another that’s completely different. So I stopped buying and started borrowing. Sorry JK, that new wing on your castle will just have to wait.


And speaking of borrowing over buying, I wish I’d done that when it came to Robert Jordan’s ponderous Wheel of Time saga. For a while Jordan drew me along with a carrot of promise, but over time he started using it to just slap me in the face. Not only did he make me slog through 7125 pages (for real) featuring (roughly) the same number of surly and unlikeable characters, involved in an exponentially growing number of plots and sub-plots, but he (or rather, his publisher, but I’m not feeling generous enough to make the distinction) rebooted the series’ artwork after nine of his wretched house-bricks. Nine! Forget the faithful who’ve been on-board from the start! Let me tell you, Orbit Books: if sales figures are falling, the problem does not lie with the covers. And notice how not only does the publisher's logo change for book eight (annoying), but it then changes back to the original logo for book nine (even more annoying)!

And so, lesson (to pass onto our children’s children) learned: don’t buy into a series until it’s complete.

Only, that’s no help with a series already underway. Just when I thought it safe to go back into the bookshop, in sink the sharp, pointy teeth of Martin Gilbert’s three volume epic, ‘A History of the Twentieth Century’.


I bought Volumes 1 and 2 when they were released back in the late 90s, but I somehow missed number 3. I kept an eye out for it over the years, but it never crossed my path. As I just recently started on Volume 1, I finally decided to make a real effort to track the elusive book down. Though the hardcover is out of print in Australia, it is available on Amazon.com, but with different cover art to mine, which I assumed to be the US style. Confusingly though, the same style appears not only on the version available at Amazon.co.uk, but also in the listing on Martin Gilbert’s website. In fact, I could find no trace anywhere of Volume 3 featuring a style of cover that matched my two. Even eBay, Google, and peering through the entrails of a slaughtered Himalayan yak turned up nothing. Figuring that if anyone would know, the author would know, I sent Sir Martin an email through his website, asking if he was able to end the madness? This was his prompt reply:

Thank you so much for your most encouraging words.

Alas, there never was a uniform edition of volume three. I am sorry about this. I do not know what got into the publisher's heads.

With further thanks for writing as you do. You have made my day! Kind regards, Martin Gilbert

Not quite the, “It certainly does exist, and, here, I’ll send you one of the autographed copies I happen to have lying around,” that I was hoping for, but it’s good to have a definitive answer, at least. And bonus points for using 'alas'; one of my favourite words. What a friendly chap!

So, I’m left with five (equally unpleasant) options:
1. Buy Volume 3 in a non-matching style. (Does not compute);
2. Buy Volume 3 in a non-matching style and glue on a mocked-up spine in the original style. (No-one might know, but I would know);
3. Sell current volumes and buy all three in new style. (Possible, but alternate style is, imho, inferior);
4. Leave things as they are and not buy anything. (But if I don’t build it, they will not come); or
5. GEEEEETTT OVER IT! Seriously! (Hmmm. Sounds simple, but would in fact require complete rewiring of personality).

So! What a pit to be stuck in. Though, at least, some consolation, I haven’t fallen into the larger (possibly bottomless) pit of Star Wars. That, however, is a whole other post….